As promised, but as usual with a long delay, I devote a bit 'of my room for the theater, this time not experienced first but enjoyed by the audience.
Let's go!
Theatre Company THE FACE OF GIANO in "DELIRIUM TWO" Eugene Ionesco Ionesco
To fall in love with me was enough to assist a year ago to "The Bald Soprano" staged by my fellow students directed by Patrick Hercules. Ionesco has chosen to make his detachment from reality in which he lived (he was an immigrant in France) with a language and a choice of completely original environment, where you lose the special meaning of the dialogues (the title of the play says it all) but it captures the general sense at the end of this and pushed his deep unease .
The two actors on stage, with Anthony Provenzano (also director) to dictate, and tones, are able to make good their normal absurdity, and stage effects were simply incredible, and treated in detail (three people in the backstage is are dedicated to the success of inventions by the directors).
Recommended for lovers of theater of the absurd, or just curious people like me. Ionesco's ways are endless.
Production Torn Curtain in "Out for the night when OSCAR 'AT HOME' Matteo Monforte
La Banda del (Sam) Hole meets under my verve organization, being eager to see the work an old acquaintance of mine, Federica Roger, known-years-and years-and-years-and-years ago at the time of my experience Telegenova. We found ourselves immersed in a grim story, sometimes cloudy, with continuous changes of rhythm and tone. The actors (all Enzo Paci) were very good at making quick dialogue and very "real" in the highest sense of the term, the Federation has surprised me for the naturalness of his manner and his actions (I was surprised simply because I had never personally view of the stage ... His resume is already talk alone). We are easy to identify in their excellent work on the rhythm and the "lightness" of the steps one of the focal points of what will be the next stage of commitment Musically. In short, the text would not be elevated, high or detached, but real : the mission can be considered finished. Excellent choice of the Theatre Garage, a place that with its small volume and its proximity to the stage (at NO floor ... fantastic) proved perfect for the size created by a text like this, so devoted to the confession, intimacy of four players tied closely to one another. More than a spectator, I felt like an observer hidden, as if I had watched the scene through the peephole of a door.
Stra-recommended to all.
Company Rancia in "A CHORUS LINE"
I state that I did not know this musical, except for a little something I had experienced 7 years ago at the time of my last days with the "Group T & M" (among other things specifically with my partner of evidence / scene was Michael Marasco, who will play my mother in the now imminent "Want to know mine?").
I therefore went to the theater full of enthusiasm and curiosity (because spending 28 euros a ticket, there would not even to go to the Politeama with low morale) ... Anyway, the show is been complex and difficult even have to be my analysis. On the one hand, we can say that the plot is not in the sense that during the show - which tells of a hearing to enter the ballet in a row of a show off-Broadway - nothing happens in particular. Perhaps (in fact, of course) this was indeed the intention of the author, who wanted to shift the focus not on the classic "hero", but rather on a long line of followers who still give the body and soul to do great a show. It then tells individual stories of small and normal but in my opinion are too closed in themselves, since the end there is only interaction between the individual "candidates" and choreographer (who is almost through the show offstage, her voice conveyed by the rear speakers of the theater, just as if he were in the audience, watching the stage but also to look us in the audience before him). Belle
some songs in groups, at least some of the soloists. A little 'casino in the group choreography, too bad. The setting was essential, but it was just as well - final part (where it also changes the set) - the whole show takes place in a deliberately anonymous testing room.
All in all, I can not tell me excited from the show, but at least I was confronted with a musical written and performed "below par". Descending into the reality of time (we are in the mid-seventies) This setting was already a considerable change of direction.
... And then you come to us.
Saturday particular emotion, having tried the first part of the show and tying for the first time the choreography with the first opening scene, in which the character I play (along of course with my "alter-ego of alter-cast" Whisky ) recites the opening lines. Needless to say, a heartbeat crazy. The vacuum at the head of the debut, thinking "Here we go." It is this flow of emotions in me to love the theater and even more music, especially because every day, with each test, I realize that this ride is not long now more than a month and a half still has much to give me and certainly much to ask.
soon!
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